A cascade of tones fall from the top note of the piano to the bottom and rise back again, each mirroring the other. This whole tone melody passes once through what might be an endless spiralling 30 second cycle, each note of the piano's 88 sounded once. Two scales, gazing at each other across space and time. On the surface each pattern repeats in different depths of pitch, but their harmonic symmetries are dissolved in perception of the fleeting present moment.
Words of the recording
||: C8 . A#7 G#7 F#7 E7 D7 C7 Bb6 | G#6 F#6 E6 D6 C6 Bb5 Ab5 | F#5 E5 D5 C5 Bb4 Ab4 Gb4 | E4 D4 C4 Bb3 Ab3 Gb3 Fb3 | D3 C3 Bb2 Ab2 Gb2 Fb2 Ebb2 | C2 Bb1 Ab1 Gb1 Fb1 Ebb1 Dbb1 . Bb0 | A0 . Cb0 Db1 Eb1 F1 G1 A1 B1 | Db2 Eb2 F2 G2 A2 B2 C#3 | Eb3 F3 G3 A3 B3 C#4 D#4 | F4 G4 A4 B4 C#5 D#5 E#5 | G5 A5 B5 C#6 D#6 E#6 Fx6 | A6 C6 C#7 D#7 E#7 Fx7 Gx7 . B7 :|| live first performance by Thomas Nicholson, piano, at KM28 Berlin, 15 February 2019, composed by Marc Sabat
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